May 2-4, 2024: Media Aesthetics: Experience, Practice, and Pedagogy The media aesthetics project examines and engages the saturation of ordinary life by varieties of constant mediation, while also examining the diverse array of mediated experiences and modernities worldwide. Here we have in mind new forms of digital technology from smartphones, ubiquitous wireless networks, social media, and streaming platforms. Art forms such as literature, cinema, music, and visual art remain important here. But now, with the durationally encompassing nature of contemporary mediation, we look to aesthetic experience broadly for its power to navigate the everyday.
April 9, 2024: An evening with former AUP colleague Adrienne Russell, presenting her new book The Mediated Climate: How Journalists, Big Tech and Activists are Vying for our Future (Columbia University Press 2023). In her book, Adrienne argues that our inadequate response to climate change is intertwined with the profound challenges facing our communication environment. She will discuss her research on journalists, activists, scientists, and other advocates for climate action, how their efforts are often compromised in today’s media landscape, and what we can do about it. Adrienne Russell is Mary Laird Wood Professor of Communication and co-director of the Center for Journalism, Media, and Democracy at the University of Washington, Seattle. She is currently a fellow at the Weizenbaum Institute in Berlin.
February 1, 2024: Rethinking Mediations of Post-truth Politics and Trust: Globality, Culture, Affect. Comments by contributors: Professor Jayson Harsin (AUP), Professor Bilge Yesil (CUNY Graduate School) and Professor Hannah Westley (AUP) with response by Francois Allard-Huver (Université de Lorraine).
October 19-20, 2023: Discourse on the Plague (1347-1600): Authorities, Experience, and Experiments, Conference at The American University of Paris. Co-organized by Brenton Hobart (The American University of Paris) and Véronique Montagne (Université Côte d’Azur). Medical treatises, historical writings and literary narratives about the plague use a common linguistic register which repeated itself from Antiquity through Renaissance Europe and which persists in today’s popular and scholarly imagination of how we envision epidemic disease – Covid language and plague language are to a large degree one and the same. The truth concerning disease is thereby molded, if not skewed, by a preconceived discourse, which the writers of such truth are (or feel) forced to revisit: to prove knowledge of and move beyond past disease; to establish themselves as authoritative; likely, to learn how to transform ineffable horror into the art form that the printed word is.